Rejection of two claims to Moeyaert painting
Artikel21 July 2016
The Restitutions Committee has advised the Minister of Education, Culture and Science to reject two claims to a painting by Claes Nicolaesz Moeyaert.
On 7 December 2020 the Committee for the Evaluation of the Restitution Policy for Cultural Heritage Objects from the Second World War, the Kohnstamm Committee, advocated in its report Striving for Justice a recalibration and intensification of the restitution policy by, among other things, changing the assessment framework.
Subsequent to the recommendations of the Kohnstamm Committee of 7 December 2020 (i) the Minister of Education, Culture and Science replaced the existing Decree Establishing the Advisory Committee on the Assessment of Restitution Applications for Items of Cultural Value and the Second World War with effect from 22 April 2021 with a new Decree Establishing the Restitutions Committee. As before, the Restitutions Committee issues advice to the Minister if the Dutch State is the current holder of the item of cultural value, and the Restitutions Committee issues a binding opinion if the current holder is a party other than the Dutch State. The new Decree Establishing the Restitutions Committee now includes the complete framework on the grounds of which the Restitutions Committee assesses both sorts of cases. This assessment framework contains three criteria: original ownership, involuntary loss of possession and acquisition in good faith.
Only the first two criteria apply if the Dutch State is the holder of the item of cultural value. If there is compliance with them, the Restitutions Committee advises the Minister to restitute unconditionally.
If a party other than the Dutch State is the holder, the third criterion – acquisition in good faith – is also considered. If the requirements of original ownership and involuntary loss of possession are met and this holder did not act in good faith (or does not want to plead good faith), there is unconditional restitution.
If the holder did act in good faith, the Restitutions Committee decides on unconditional restitution or on a mediated solution. All the circumstances in the case can be taken into account in the case of a mediated solution, provided that there is always compliance with principle 8 of the Washington Principles ‘to achieve a just and fair solution, recognizing this may vary according to the facts and circumstances surrounding a specific case’.
There are transitional arrangements for applications already under consideration by the Restitutions Committee. If the Dutch State is the current holder, the new assessment framework is applied if it emerges that the applicant agrees. If a party other than the Dutch State is the current holder, the new assessment framework is only applied if both parties agree. There is also a limited option to make a new assessment of applications that have already been handled.
The Restitutions Committee has furthermore changed its procedure, for which it has issued new Regulations. The Restitutions Committee’s new procedure means that it will intensify communication with applicants in the following ways:
For further information please contact the secretariat of the Restitutions Committee (info@restitutiecommissie.nl / +31 (0)70 3765992)
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News
21 July 2016
The Restitutions Committee has advised the Minister of Education, Culture and Science to reject two claims to a painting by Claes Nicolaesz Moeyaert.
31 August 2016
The Restitutions Committee has advised the Minister of Education, Culture and Science (OCW) to reject a claim to a painting by Isaac Israels.
7 November 2023
The RC has advised the State Secretary for Culture and Media to restitute the watercolour The Aunts Go on a Journey by Alexander Hugo Bakker Korff to the heirs of Jacob Lierens (1877-1949). On the grounds of research conducted by the Expert Centre Restitution the Committee concludes that it is highly likely that the watercolour came from the private collection of Jewish art collector Jacob Lierens of Amsterdam. Research has also shown that it is sufficiently plausible that he lost possession of the watercolour involuntarily as a result of circumstances directly related with the Nazi regime.